The work of Omer Arbel Office moves fluidly between the fields of design, architecture, sculpture, and invention. It defines a field of action, but everything still remains in play.”Ī dynamic, highly visual, and in-depth study of Omer Arbel, the internationally celebrated and collected multi-disciplinary designer and master of sculptural lighting So, where is Arbel going? Even he cannot say for certain. “It is a demanding way of approaching the job-one that permanently defers job description itself-but extraordinary in its vast potential. Information overload can itself be channeled and shaped into a generative force,” writes Adamson. “His inventive use of hyper‑complexity demonstrates that it need not be a barrier to comprehension.
Omer arbel house professional#
These lie alongside explanatory passages, describing Arbel’s personal and professional development, as well as his role as a master creative in our late, great age. Texts describing the pieces on show lie next to excerpts from a wide array of other writers such as the godfather of psychoanalysis, Sigmund Freud the novelist Vladimir Nabokov the land artist, Robert Smithson and the sci-fi writer, Ursula K. Organized by four thematic chapters and richly illustrated with beautiful product photography interwoven with preparatory drawings and ephemera, this book provides unique insight into Arbel's highly diverse practice. The book brings together twenty-two compelling projects - from lighting works for Bocci to furniture and standalone homes - to reveal Arbel's radical design ethos, which is rooted in material experimentation and collaboration. Our new monograph mirrors this state of creative flux.
Yet projects within one can overflow from one to the other, calling into question both Arbel’s role, and the function of the finished product. His own businesses are divided up, with a separate commercial platform for lighting and glassware (Bocci) and a research and development-oriented product design studio (OAO Works), in addition to his architectural office. Our new Omer Arbel monograph is dedicated to this celebrated multi-disciplinary designer and master of sculptural lighting.Īrbel's techniques, ambitions, and finished works are quite unlike anything else being made today.
He also numbers his works, rather than names them, allotting a number that corresponds with the order in which it is created. He is also the co-founder of the acclaimed lighting company, Bocci. The Israeli-born, Vancouver-based designer, artist and architect created the Olympic and Paralympic Medals for the 2010 winter games. In an age of showy self-expression and mass production, Arbel stands apart, as a hard-to-define design polymath. Thus, each 108 is a signature or shadow of a specific bolt of lightning.” The heat generated by the electrical charge fuses the powders into solid objects conforming to Lichtenburg dendritic patterns (in nature known as fulgurites). The canister contains a mix of mineral and metal powders designed to produce phenomenologically interesting results when fused. “Javelins are fired into the sky during a thunderstorm, with a conductive cable leading the electrical charge from a captured lightning bolt to a large insulated canister. Consider this recipe for creating delicate glassworks (given the number 108 within his personal design log). No one makes things quite like Omer Arbel. Our new book outlines the unique processes and singular outlook of one of the world’s greatest design polymaths Tickets for this auction can be purchased by calling Arbel All you need to know about Omer Arbel This minimalist self-assembled pine chair, originally produced in 1974, is a model of modernist furniture design, noted for its elegance and modesty. Twenty individuals and creative teams have been invited to interpret and refashion Italian designer Enzo Mari’s iconic Sedia 1 chair. Arbel is also the creative director of manufacturing and design company Bocci.Ībout this fundraising auction for Presentation House Gallery: this year’s event showcases some of Vancouver’s most renowned visual artists, designers and architects. The practice produces designs for buildings, objects, furniture, lighting and electrical accessories. OAO focuses on experimenting with material properties and fabrication methodology. Omer Arbel leads Omer Arbel Office (or OAO), a Vancouver-based design practice which aims to collapse traditional boundaries between the professions of building and industrial design, craft and materials research. Omer Arbel, designer, principal Omer Arbel Office and creative director, Bocci
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